The life and times of Merry Khaos and her alter-ego, Kristie Grey. A romp through the inner workings of a mind in roller derby athletics, training, and business management.
I got to revisit this class at BEAT ME HALFWAY in 2014, so I’ve gone through the original notes and added in some stuff we did at BMH, but kept in the stuff we did at RC 2014. 😀 Anything BOLD is new content. There’s not too much.
I used to be a big fish in a small pond. I thought I was advanced because of how many points I would rack up during games, because of my jammer differential, because of my lead jam percentage, because I could own opposing players with my team. Then I transferred to a Top 20 team and, though I knew I was in for a humbling, I didn’t realize how humbling it would be.
It was awesome.
I have improved so much in the last year through changing my training program up and skating with Charm City Roller Girls (and now Tampa Roller Derby and Tampa Bay Men’s Roller Derby!). I designed this class to pass along the things I’ve done in the last year to take me from true Intermediate to a low-to-mid Advanced roller derby player.
Each skater approaches the lane on their wheels and must quickly transition to the toe stops, side step (preferably with the grapevine step) through the cones, and then burst out of the cones back onto wheels. When sidestepping, skaters should be facing the interior of the track.
If you have many skaters, make lines before each set of cones and have skaters rotate between inside and outside line as they go through. Skaters should challenge themselves to be as close to the line as possible. Think about where you are looking (not at the ground!), how straight are your legs (knees need to be bent a bit), and how easily you can drop your toe stops (they may need to be lowered).
AMENDMENT: If running on your toe stops is super easy, try different ways of running the line – forward, side shuffle, side-step crossover, and also BACKWARDS through the cones! Try all the new things!
How to set up the toe stop run cones
BACKWARDS LATERALS
Using the cone pattern shown below, skaters have to move backwards to each cone. THEY SHOULD NOT SHUFFLE STEP, they should use backwards crossovers to get from cone to cone.
At each cone, skaters should use a one foot plow stop to stop COMPLETELY before moving on to the next cone.
Focuses: Stopping as CLOSE to the cone as possible, getting from cone to cone as QUICKLY as possible, and spotting the cone then looking forwards again. We want to work using periphery and not relying on having to stare at an object to get there.
If skaters have trouble with backwards crossovers, have them create small Cs with their feet to get them going. If skaters have trouble starting the lateral, wiggling the butt is a great way to get started. You can also do a pivot on the front wheels to start the motion.
Pattern of movement for backwards laterals
EDGING AT THE LINE
Every skater will need a straight line of clearance on the track. For 30 second intervals (at first, you can bump it up for more advanced skaters), skaters will push off from one side of the track. The goal is to get from one line to the other in one push, and use their edges to stop as close to the line as possible. A video will explain this better, but here’s the procedure:
Standing at the outside line
Inside foot points towards your destination. Outside foot pushes off of the outside edge of your skates to get momentum. All weight on the inside foot.
Put the back foot down on the floor, pointed at the spot you pushed off from, and transition your weight onto that back foot.
At the inside line, ‘stomp’ your foot (push into your edges) in order to stop your momentum
Remember to keep your center of gravity low, but you probably won’t be able to do this in SUPER low derby stance.
Do intervals of these. I like to do at least 3 30 seconds worth of practice. This will lead into the next drill.
STEPPING IN FRONT AS A WALL
We’re deviating from the flow of the class at this point, but I don’t care, it makes the most sense to explain this after the edge to edge work.
In groups of four, have everyone number off. This is their number for the whole drill. The groups will skate around the track in a four wall (hopefully winging out in the corners, and practicing all other good fundamentals of wall work as they do so).
The person controlling the drill will stand in the middle and call out numbers at random intervals. When the number is called, that person “has the jammer”. Their job is to tell their team mates. Their team mates job is to step in front of that person as quickly as possible while maintaining their wall. The person who was called IS NOT DROPPING BACKWARDS – EVERYONE IS COMNG FORWARD. The person who’s number was called should do some lateral motion for a three count, and then re-enter the wall quickly and efficiently. The person calling the numbers should do so every 7 or 8 seconds at the beginning and then you can get faster as the drill progresses.
A NOTE: I have not done this drill yet where there is at least one person/group that does not understand the “Count to three and then get back in the wall” concept. There is always a person who will hang out behind the wall and look at you confused (and sometimes angry) when another number is called and they’re not in the wall. If you figure out a way to eradicate this, please send me an e-mail.
HIPS IN FRONT
Back to solo stuff! This is something I go over in the video. You want to pair up and have partners (first at a standstill, then rolling) work on moving their hips in front of an opponent. The skaters should be hip to hip, and then one person at a time will work on stepping just in front of the other person and moving their hips to establish position. There’s a big of a hip swaggle that happens. You have to get a little sexy with your partner.
CREATING SPACE TO KNOCK A JAMMER OUT
Jammers are really good at leaning on our backs and making it impossible for a goon defensive skater to come out of the wall, and knock that jammer out of bounds. Often times, there’s just no room for us to get our shoulder or hip in front of the jammer to walk her out of bounds. So, we need to know how to create space between ourselves (the wall) and the jammer who is leaning on a seam to get through.
These are not supposed to make HUGE impacts. When you’re practicing these, if it feels like the opponent isn’t going very far, it is ok! You’re just trying to create a breadth of air. These may not be used all the time, but you want to be able to know how to use them.
CAN OPENER (Johnny Crash, any number of other names)
In pairs, have one skater leaning on the back (legally, no back blocks!) of the other skater. The skater in front will practice throwing her shoulder backwards to pop the opponent off of her shoulder.
BOOTY POP (Twerk, and any other silly name you want to give it)
Same set up to practice as the can opener, this time, instead of using the shoulder, you are going to pop your hips backwards into your opponent to create space.
A NOTE: For both of these, you must have proper derby form. That is to say, strong back, tailbone tucked. If your ass is exceptionally extended behind you, you will have no booty to pop. You will have no contact with the jammer before you throw the can opener.
TAKE IT UP A NOTCH: Next time you practice walking a jammer out of bounds with a wall in front, have your skaters practice these techniques to create space. When I am blocking, if I can’t get my shoulder in front of a jammer, I will yell to my wall, “Pop her!” and they know to throw a shoulder or hip to make room for me.
BREAKING WALLS
JACK HAMMER SHOULDERS
Just like you can use your shoulders to attack people while blocking backwards, you can attack a wall with ‘jack hammer shoulders’. In groups of 3, have one blocker press up against the seam created by the two wall. (S)he should use her shoulders [independently] to hit the legal pieces of the opponents to create some space and hop thru the hole. Bonnie Thunders does this ALL THE TIME.
ASS IN THE GAP
This is something that not everyone will do well, or should do at all. This is another tool for the tool belt. You will have your two wall (like above), and the jammer will get a little bit of speed (the two wall should be rolling), and right before she gets to the wall, she should transition backwards and thrust her ass into the seam.
In order to do this successfully, you must fold yourself in half and propel yourself into the seam, you cannot turn around and attack the seam at a full stand up. It doesn’t work. Snot Rocket Science (Steel City), Holly Go Hardly (Charm City), and Skinny Guinea (Brandywine) are some skaters I’ve seen do this in bouts. I am trying to find gif footage!!
YOU’RE FACING THE WRONG WAY!
Ok, so we love backwards blocking these days. However, many many many skaters use it too much, and incorrectly. If you are backwards, and catch someone, you have two options: 1) Hold that skater until your friends come to your rescue or 2) pop them a bit as you turn around to face normal derby direction [which is where you have more power and control and are less likely to incur a pentalty].
To make the opponent hurt, and give you a second to turn around, you will pair up. The jammer will press into the blocker. The blocker will practice the quick succession of throwing a shoulder into the jammer (as practiced before), turning 90 degrees, and popping the jammer in the sternum area, completing the turn to establish contact with the booty of the blocker. There is no 3rd hit necessary. Shoulder facing the jammer, shoulder at a 90 degrees (at full speed it’ll look like a hockey stop with your feet), finish the turn and establish position. It is quick, it is sharp, and you have to bob with your legs on the second hit a little bit.
TO THE LINE! (PARTNER ASSIST)
In pairs, you will practice a cannonball to the line. I like having one person practice for a length of time and then switching. The pair will start in an ‘unsuspecting’ two wall. The person throwing will push their partner to the line, catch their arm, and keep them in bounds. They will then reset into a two wall. The person being thrown will be loose enough to be thrown, extend the ass over the line as FAR as possible (fold yourself over like when you put your ass through a seam as described above), and keep your skates in legal ground. Immediately reset into a two wall ON THE LINE. Then move back towards the center of the track to do it again.
See video for more explanation of this move!
NOTE: Do not anticipate being thrown on this!! Try and simulate how it would actually happen in a bout. You’re not going to be set up for a cannonball with the jammer approaching, so don’t practice it here.
Crazy Legs Drill
Two lines of cones should be placed about every ten feet in a line, and just wider than the track. Skaters are to ‘lead with their knees’ and move their feet in small, edging motions to get across the track. Toe stops are not to be used (in fact, I would recommend doing this drill during a practice where no toe stops are allowed). This is not a shuffle step, or a crossover. They are small, sometimes gliding, steps and stops where you control your speed and balance with your edges.
Your hips are always facing forward. Once a skater has reached the cone by going across the track, they should move up to the next cone at a diagonal, and use a one foot plow stop at that cone. Try and get as close to the cone as possible. Then, move across the track again. The first time through, the crazy legs should be moving to the right, and they’ll be gliding to the left. Reverse it for the second time through.
ADVANCED VERSION:
Do it again, but this time, keep your head over your shoulder. Pick ONE shoulder to look over the whole time. Move across trying to keep your eyes on that spot behind you for as much of the crazy legs as possible. You can also reach your hands behind you, pretending that there is someone on your back, and you are just making a one second contact in order to know where they are.
The very last gif on this page has an example of the “3 second check”. This is Tony Muse (Peter Pan) of Your Mom executing in perfectly. Look for the gif with the description: The “less-than-3-second-hand-check” rule can effectively widen your wall by up to a few feet on each side. Just be careful it doesn’t turn into a forearm block.
Don’t be a drill dick. There’s a lot of skills in here that involve some practice. Don’t make your two walls ridiculous – make them realistic. No two wall is glued at the hips and body from the moment the jammer approaches, because if they were – the jammer would just go to the outside, and that two wall would be rendered ineffective. Keep some space. These drills are just as much practice for the blockers as it is for the jammers.
Blockers should practice keep their brakes on as jammers challenge them, and keep it challenging (but not asshole level).
Outside of derby: Start lifting weights. If you want to know why, read my blog about PERSPECTIVE SHIFT!
This was a class about getting to the next level, so I gave a similar speech in the class and I will type something similar here:
Roller derby is not always fun.
I know that we like to think it is. We like to tell ourselves that derby is a blast and amazing and fun all the time. Guess what? If you really want to improve, you are going to have to train. If you train, it’s not going to be fun all the time. Getting better is not fun. Knocking a bitch over in a game is fun. Winning is fun. Knowing that you just deadlifted twice your body weight is fun. Pause squats are not fun. Falling is not fun. Persistent sweat, pain, and failure is not fun. However, it is necessary for improvement. I did not get awesome at footwork magically. I simply did things over and over and over. I fell. I pushed. I lifted. I flipped tires. I cried. I bled. I sweat. I bruised.
It is not always fun, and that is ok. If you’re not ready for it not to be fun, than you may not be ready yet to advance to the next level. Everyone has to decide their level of commitment and level of training they are willing to accept. (And sometimes, team mates, you have to be accepting that your team mates may not be at the same level of commitment that you are.)
Go forth and be awesome!! Thank you again for anyone who came to my class at RollerCon 2014, make sure you tell them that you love me and you want me to teach more! If you want me to come to you, or if you want me and DNA Coaching to come to you – drop me a line at DerbyAmerica@yahoo.com … I also am a health coach with DERBALIFE and it has changed the effectiveness of my training. Get with me for more info!
I designed this class for beginners and intermediates (though advanced skaters could possibly get some tips and tricks out of it). Often, as you learn the sport of roller derby, there are little pieces that are missed. I’m talking about finesse pieces of the game; so you may be told “become a wall”, but you’re not told to “become a wall pretending there is a skewer through the four of you”. Little details make a skater great, and when you don’t have the little details [that no one told you about], you may be the one on the track getting yelled at by vets.
Before we got into anything we did a review of EDGING. Get into your proper derby form. Feel where the pressure is. Chances are it’s straight down through the middle of the wheel. We want to think about our wheels like the edge of an ice blade. Pushing through your EDGES, instead of the middle of your wheels, are how you get better at carving, stopping, and juking (and derby in general). Move around on your skates and feel where the weight goes when you’re on your edges.
General rules for roller derby that everyone should know and practice:
– DON’T LOOK AT YOUR FEET
– BEND YOUR KNEES
– YOUR ARMS ARE UNNECESSARY FOR ROLLER SKATING. Practice “Bonnie-Thunders-Floppy-Arms”
– GET NATURAL AT TRANSITIONS. Do them and do them and do them. Every chance, for hours, both directions
– DON’T SAY YOU CAN’T DO IT. You can do it, you just haven’t YET
Proper Form
Often when we say “Drop into good derby stance”, people bend their knees, or lean over, and stick their butt very far out. For your form, you want to work on your legs being at 90 degrees, your tail bone TUCKED under your spine, and your back flat and strong. No, you will not be able to maintain this at every moment during skating, but we want you to develop that tucked tailbone and strong back. The legs at 90 degrees will build strength for you to use in skating.
Crossovers
Crossovers are critical to the ability to play roller derby because they are the basis of roller SKATING. You don’t just do crossovers when you are making a lap or going fast, you need to be able to do crossovers within packs, and have the confidence to keep your balance and make the moves during game play. Crossovers are two parts:
STEP WITH YOUR RIGHT FOOT
PUSH WITH YOUR BACK FOOT
If you are bad at crossovers right now, here are things to practice:
– Getting lower: The more leg you have to use, the more strength you can put into your push.
– Balance: Get a big push and then pick up a foot. The one foot glides we do for certifications are there for a reason
– Confidence: Do Drunken Sailor steps. In this drill, you bring your leg as far and big off of the floor as possible, in order to crossover to the ground as far as possible. Then you do it with the opposite leg. When you get good at it, your legs will be making HUGE arches and you will continue in a straight line, despite veering off from side to side as you do your crossovers.
– Back foot push: We have all done the ‘eggshells’ (when you keep all 8 wheels on the ground, and your feet go in an hourglass shape on the floor to propel). With the back foot push, it’s the same idea. All 8 wheels stay on the floor. Your front foot does ZERO work, it simply guides you. The BACK foot makes an S shape behind your front foot in order to propel you forward. Notes on this: Your back foot should not come next to you front foot at any point. If you can’t do it, bend your knees. You have to wiggle your hips a bit to make this happen and it is A VERY DIFFICULT DRILL – especially if your hips are tight.
Two lines of cones should be placed about every ten feet in a line, and just wider than the track. Skaters are to ‘lead with their knees’ and move their feet in small, edging motions to get across the track. Toe stops are not to be used (in fact, I would recommend doing this drill during a practice where no toe stops are allowed). This is not a shuffle step, or a crossover. They are small, sometimes gliding, steps and stops where you control your speed and balance with your edges.
Your hips are always faced forward. Once a skater has reached the cone by going across the track, they should move up to the next cone at a diagonal, and use a one foot plow stop at that cone, in order to move across the track again. The first time through, the crazy legs should be moving to the right, and they’ll be gliding to the left. Reverse it for the second time through.
ADVANCED VERSION:
Do it again, but this time, keep your head over your shoulder. Pick ONE shoulder to look over the whole time. Move across trying to keep your eyes on that spot behind you for as much of the crazy legs as possible. You can also reach your hands behind you, pretending that there is someone on your back, and you are just making a one second contact in order to know where they are.
The very last gif on this page has an example of the “3 second check”. This is Tony Muse (Peter Pan) of Your Mom executing in perfectly. Look for the gif with the description: The “less-than-3-second-hand-check” rule can effectively widen your wall by up to a few feet on each side. Just be careful it doesn’t turn into a forearm block.
When jamming against a wall or individual that you are trying to get around on the edge, it is helpful to start low and end high. This was the best gif I could find, and though she trips at the end, she got all of her points and you can see she was starting to stand up into the block:
The idea is to hug the blocker with your body as you come through. You want to be as close to them as possible so that way they have no space to wind of for a hit. This is not a hit from the jammer, you are curving yourself around the blocker to get by them.
As Jonathan R of NYSE comes in for jammer on jammer action, Don Juan of Bridgetown Menace gets lower, in order to put his foot in front of Jonathan, leverage against him, and stand up to push off. Photo by Hispanic Attack
Pair up and take turns being the ‘jammer’. Do this slow at first; have the jammer start an arm length from the blocker. The blocker should be in a defensive position. When contact is made, the blocker should lean into the jammer. The jammer needs to make contact on the blocker low, leading with the shoulder (NOT THE HEAD), and try to curve around the body of the blocker. It is difficult to do at low speeds, but we are looking for form and the feeling first. You can increase the speed as you go, so that as the blocker is leading in, the jammer has something to hit against. As the jammer makes contact with the blocker, they press into their legs to stand up, leveraging themselves against the blocker, and establishing themselves in front of the other person.
Getting By the Swing
When an opponent is telegraphing that they’re coming in for a hit you have two options: burst past them, or hit the breaks.
Burst past: In your pairs, have one skater take small swings at the ‘jammer’. The jammer’s job is to change their speed the moment before they are hit by hopping forward. It is a burst of acceleration to get them past. I couldn’t find a gif. But watch Quadzilla of Puget Sound skate, he does it often.
Hit the Breaks: The swings will continue here, but this time, instead of the jammer bursting past the blocker, this time you will practice coming out of your derby stance, and (essentially) standing straight up in order to let the blocker swing by you. The goal is not necessarily to hit your toe stops, you are just putting all your weight into your toes to slow your momentum.
DISCLAIMER: Even when you’re good at this, sometimes you misjudge and you end up with an ass in your quadriceps and it hurts like hell. Often, even if they hit you, they will continue to move past you, however, so you can then begin running like hell again and escape them.
Hit the Breaks and Hop: This time, instead of the jammer just stopping dead in order to let the blocker swing by, they are going to hop the other direction, parallel to the blocker’s motion. So if the blocker is swinging from outside to inside, the jammer will hop from outside to inside. The jammer wants to be as close to the blocker as possible when they do this. These are last ditch moves.
As the Dutchland blocker moves to the outside, Rainbow’s Revenge hops to the in, where a huge hole is waiting for her. Photo by Jim Rhoades
Roll Off of Hits
This is something you see often in derby now, but no one tells you how to do it. Look at Mace as she rolls off of the hit by Akers:
In your pairs, start with a ‘jammer’ who will be moving around the blocker. Do this first at a standstill so skaters understand the physics behind it. The jammer will be tight to the blocker, the jammers’ shoulder against the blocker’s shoulder. The blocker needs to offer resistance, and the jammer is to snap their hips perpendicular to the blocker and push through their outside edges of the back foot to propel around the blocker.
Jammers want to keep contact through the push. This is a way to use the leverage of another skater to get them through on an edge of the track OR if a blocker has caught the jammer, and the jammer is trying to move around them. After both players have practiced this in slow mo, have them do it moving.
Blockers will use their shoulders to put a player down, or knock them to the side or out of bounds. Jammers can use them to break walls. Please note that if the blockers you’re coming up against are bent over (that is to say, there is no back to nail), than this is not a useful technique.
To practice using your shoulders independently of your arms, start by grouping into three skaters. Have two skaters sit on the floor back to back, tight. Then, the third skater should sit down, their spine in the gap between the other skater’s arms. Their legs out, it should look like a T. The third person should then practice her can opener hit by throwing her shoulder backwards (one side at a time) into her partners. After some time, have them rotate. This will help skaters learn how to JUST use their shoulders and if they can do it backwards, they can do it forwards.
To practice breaking through a wall, have two skaters form a wall and the third is playing the role of jammer.
NOTE: When doing drills like this, the walls should be tight, but not ridiculous; especially when a skater is just learning the skill. We want everyone to get reps in and know what a successful rep is like. As they improve, the wall can get tighter and more challenging. This falls under Rule #1 kids.
Jammers will hit the LEGAL piece of the wall with their shoulders to break open a gap and stop through. Blockers need to be engaging their core, tucking their tailbone and giving their jammer a strong back to hit!
See Through the Hole
Have a wall of two blockers, and one jammer, for this. The goal is for the jammer to make as LITTLE contact with the wall as possible. Start this drill at a standstill, with the jammer tight to the wall to replicate a jam start. Jammers should focus THROUGH the wall, not looking at either of the blockers. They should then work making their bodies perpendicular to the blockers, and side step through the wall. It’s most effective (I have found) by focusing on edges, but utilizing toe stops to push out and away from the wall.
Once you do this for a bit and become successful at it, have the wall roll, and let the jammer get a little bit of speed to try this. Again, at first, the wall should be tight but not impossible. As people get better at this, the wall can become tighter. Remember, this is NOT A HIT.
CREATING SPACE WITH BLOCKING
That two wall is now going to get hit by the jammer. Just like with the last drill, you will do this first at a standstill, then moving. Up the intensity as you see fit for your own team. For all of these, you want to start close to the walls. When you do them rolling, the jammer can get a little space.
Hit in the Ribs
Have the jammer aim for the “notch” that exists in every body. It’s approxiametly where the natural waistline is/the bottom of the rib cage. The jammer should be starting low, and completing this sharp, strong hit by pushing downwards into the floor as hard as they can, in order to launch into the ‘notch’, as they move their feet to get through the small gap created.
Hit in the Hips
This time, jammers will not be starting super high. Sometimes when blockers line up, there is a bottom that is sticking out of the wall a little bit. You want to aim for that with your hips. Jammers should practice stepping forward and into the wall in order to hip check the exposed ass out of the way. You are essentially stepping through the wall and assisting yourself through with one sharp, well placed hit. When the blocker is moved, the jammer should then quickly finish stepping through the hole.
Goosing the Line
Disclaimer: Not for every jam!! Not for most jams, actually. If you do this moving, do it slow at first.
Here is your target zone:
Look at how much ass is available! Photo by Jim Rhoades
If you are having a hard time breaking through a wall, or you know that you are coming up against defenders who have beaten you and you need to play the ace in your sleeve, this is it. You use the boniest part of your shoulder, as you are in a deep squat, and then aim to the fleshy part of the SIDE of the blockers ass. This only works if there is a significant piece exposed. There are a bunch of nerves in the ass, and if you strike it sharply, you’ll get a reaction from the blocker. Yes, it’s legal, as long as you hit where the Xs are (not the tailbone!). Make sure to keep your head out of the way. If you’re using your right shoulder, tilt your head to the left as you strike.
PHEW. I think that’s it!!! If you took this class at RollerCon and you know that I missed something, please comment on the blog so I know and so that others can see it too! I’m sorry that it was so wordy, but I wanted to make sure I explained thoroughly for anyone who didn’t get to come to the class. I hope you enjoyed it, and make sure you tell RollerCon in the feedback form that you want to see more classes with me next year, and make sure you like my athlete page on Facebook. Also, DNA Coaching is booking boot camps all the time! Contact me at DerbyAmerica@yahoo.com if your league would be interested in hosting us.
Here is another class that I revisited at BEAT ME HALFWAY 2014! I’m just going to revamp this blog to incorporate some of the new, fun stuff we did at BMH. We didn’t have the space we did during RollerCon, so we couldn’t do as many of the fun routes.
This was my most popular class .. probably because it was offered the most out of all of them! Here is a run down of what we did (mostly), and explanation of the trickier named things on the list, and drawings of the ladders and routes. E-mail me at DerbyAmerica@yahoo.com if you need further explanations!
For everything – focus on derby position, sharpness and PRECISION. It is better to do it slow, low and precise than sloppy, high and fast.
Warm Up “Jump Rope” (basic, feet back/forth, feet in/out) – each for a minute Squat Jumps
Walk these across a space: Lunge & Stretch – As you lunge, bring the elbow of the side that is forward down to the floor next to that foot (right leg is forward, right elbow comes to match it), look up at the ceiling, hold for a second and come up. Side Lunge – You will move to your right, bringing your left leg behind your right and touching your knee to the floor in a ‘lunge’. Stand back up, and now bring your left leg in front of your right to complete the lunge. You should do this both directions. Monster Walk – Keep your body tight. Flex your feet and bring your right leg to a 90 degree angle with your body. This should be slow, controlled and precise. This is NOT a high kick. This is not fast. Bring your foot back down slow and controlled. You should have only traveled one length of your own foot.
Quick feet = lowering yourself into derby position, and jack hammering your feet into the floor. When in the short stance, you should be on your toes. When in the wide stance, you should be on your heels.
Ladders The goal is to hit both feet on each step to increase the difficulty. It’s better to add an extra step in rather than trip up your brain. Also, if you lead with one foot the first time through, try to lead with the other foot on the second.
Yes, the orange is in the push-up position. Scoot up the ladder by moving your hand and foot at the same time to gain momentum. Keep that butt down!!
Routes Use routes to develop quick twitch and explosion. Incorporate side-stepping, loops, spins, back pedal, quick cuts and full stops. Use cones to develop routes. You can even incorporate football more by making the skaters catch something at certain points in the routes. This will not only force them to keep their eyes up, but will increase their awareness for the world around them.
Use cones to denote places of action, they are quick and ease to move around into new patterns. Also, linking patterns makes for a harder workout. Set up three patterns in a row and have your people move through them by jogging from the end of one to the beginning of the next.
Once you get a feeling for how patterns work and how to incorporate motion into them, it’s just a matter of making things up for you to do. You want to do routes a minimum of twice. Up to 5 times for maximum burst work. Stay low. Do everything sharp and precise. When you say stop, STOP DEAD and QUICK. Burst back out of it. Work on making some patterns very tight, and some longer to get a variety of speed adjustments.
Don’t be afraid to add some hand-eye coordination. You can have one person in the middle throwing a ball at people at different points of the routes, or even the next person in line will throw the ball to the person doing the run currently.
Box Drills
Set up your cones in a square. Now pick some different routes to run! Some ideas…
– Shuffle left, sprint up, shuffle right, back pedal
– Spin at each cone, hit each cone twice
– Sprint to each cone, use your feet to ‘circle the top’ of the cone, like you would if you were playing soccer and faking out the opposition
Some things to think about again is keeping low, keeping tight, and being PRECISE! Don’t let your hips swing, keep them square as you move through any box or route drill. Stay low, loading your legs with power, and keep your eyes up, and be quick and tight with every motion. Going onto YouTube and watching football (and futbal) players doing box and footwork drills will really help you understand how to stay in the “box” of yoru own shoulders and keeping your weight centered and strong.
Don’t be shy about checking out my other blogs too. Some that might be of interest to you:
And message me at DerbyAmerica@gmail.com if there’s a topic you would like me to cover in the future. I’m available for roller derby coaching and clinics! Drop me a line to get rates and to set up something with your league.
Khaos Theory Derby 